Artist: Erisa Rei
CD: Backwards
Home: Tennessee
Style: Pop/Rock
Quote: "This EP is one power-packed little firecracker."
By Dan MacIntosh
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Erisa Rei's Backwards EP is one power-packed little firecracker. At only four songs in length, it is but a small taste of what this explosive singer can do. Yet it's more than enough material to evaluate Rei's earthshaking talent.
Some biographical material compares Rei to blues singer Susan Tedeschi and classic rockers Heart. No doubt these two acts were models for what Rei attempts to project. But I hear a few other significant (potential) influences, as well.
I don't believe it's any coincidence that Rei looks a little like Wynonna Judd. While Rei doesn't growl like Wynonna, nor does she get many chances to harmonize like the younger Judd once did with her mom, this smoldering pop-rock singer oftentimes reminds me of an un-country Wynonna. Rei also shares Wynonna's Christian faith.
Maria McKee is another vocalist Rei resembles. This is especially true during "Cover Me," which brings to mind Lone Justice's "Shelter." Lone Justice was McKee's breakthrough rock band, before she set out for solo ground, and McKee's sound is also conjured whenever Rei sings in that conversational style of hers. She's is not just singing at you; she's also talking to you.
Tim Holt, who also provided digital programming, bass guitar, and keyboards, produced this effort. He brought along Mike Caro for some of the disc's bass work, while Erik Ferguson contributes electric, acoustic, and bass guitars. It's what Holt doesn't do that counts most, however. He doesn't let the instrumentation overpower Rei's vocals. Then again, a full-on hurricane would have trouble drowning out Rei's powerful pipes.
Rei wrote all four of these songs, and while her words could easily be applied to male/female relationships, one suspects all of these tunes are directed solely at God above. Both the title track and "Cover Me" speak of looking for the divine in an oftentimes dark and godless world. But with "I Still Need You," Rei sings sincerely about her desperate need for God. On it she asks God to show her whenever self-reliance replaces God-dependency.
One factor that separates these songs from all the mostly forgettable sugarcane in cellophane that fills Christian radio play lists is Rei's serious demeanor, put to minor key melodies. There are no useless everything-is-alright-forever tracks here. Instead, Rei is begging for God to not only save her in the afterlife, but to uphold her soul for as long as it takes for that day to arrive. When she begs God to break her spiritual chains during the closer "Set Me Free," you best believe she means it. --> -->--> -->-->
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